{"id":939,"date":"2006-03-13T21:06:54","date_gmt":"2006-03-13T19:06:54","guid":{"rendered":"http:\/\/www.manuelgago.org\/blog\/?p=939"},"modified":"2006-03-13T21:13:31","modified_gmt":"2006-03-13T19:13:31","slug":"un-elefante-con-aire-acondicionado-incorporado","status":"publish","type":"post","link":"https:\/\/www.manuelgago.org\/blog\/2006\/03\/13\/un-elefante-con-aire-acondicionado-incorporado\/","title":{"rendered":"Un elefante con aire acondicionado incorporado"},"content":{"rendered":"<p><img src='http:\/\/www.manuelgago.org\/blog\/imaxes\/elefantasis.jpg' alt='' \/><br \/>\n<em>O plano de secci\u00f3n de Ribart para L&#8217;elephant triomphal, grand kiosque a la gloire du roi<\/em><\/p>\n<p>En 1758, o arquitecto <a href=\"http:\/\/en.wikipedia.org\/wiki\/Charles_Ribart\">Charles-Fran\u00e7ois Ribart <\/a>concebiu este enxendro para o remate dos Campos El\u00edseos, en Par\u00eds, xusto no sitio no que hoxe se ergue o Arco do Triunfo. Trat\u00e1base dun elefante xigantesco, ao que se acced\u00eda a partir dunha escada de caracol central, dividido en dependencias internas e cun enxe\u00f1oso sistema de refrixeraci\u00f3n e drenaxe pensado para levar m\u00e1is comodamente os est\u00edos parisinos. <\/p>\n<p>Con bo criterio, as autoridades francesas desistiron do proxecto. :-)<\/p>\n<p>Ribart tivo dignos seguidores na Francia postrevolucionaria. Aqu\u00ed est\u00e1 Jean-Jacques Lequeu, o <em>enigm\u00e1tico<\/em>: <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/photos1.blogger.com\/blogger\/3657\/1185\/1600\/051006_lequeu_2.jpg\" alt=\"\" \/><br \/>\n<em>Lequeu, Jean Jacques (1757-1826). Plan g\u00e9om\u00e9tral d&#8217;un temple<\/em> in <a href=\"http:\/\/visualiseur.bnf.fr\/Visualiseur?Destination=Gallica&#038;O=IFN-7703276\">Gallica<\/a><\/p>\n<blockquote><p>In post-Revolution and Napoleon France, Lequeu produced some of the most imaginative landscape and architectural designs, some a masterful combination of the Gothic, the Egyptian, the Greek, the Chinese, and a smattering of hallucinations. However, except for two folies in Rouen, none were ever constructed. He was somewhat of a pornographer as well and at least in his self-portraits, a cross-dresser. As there are too few sources to go by, the screenwriter can easily color his life some more. After all, he did create portraits of nuns bearing their breasts.<\/p><\/blockquote>\n<p>As\u00ed o definen nun dos m\u00e1is sorprendentes e interesantes blogs que me te\u00f1o atopado ultimamente, <a href=\"http:\/\/pruned.blogspot.com\">Pruned<\/a>, sobre Arquitecturas e Paisaxes Imaxinarias. Paga a pena que pases por a\u00ed. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>O plano de secci\u00f3n de Ribart para L&#8217;elephant triomphal, grand kiosque a la gloire du&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.manuelgago.org\/blog\/2006\/03\/13\/un-elefante-con-aire-acondicionado-incorporado\/\">Ler a historia<span class=\"screen-reader-text\">Un elefante con aire acondicionado incorporado<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":28077,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,2,5],"tags":[],"class_list":["post-939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tendencias-en-deseno","category-diario","category-ligazons","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=939"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/939\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media\/28077"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}