<\/p>\n <\/p>\n
Durante o s\u00e9culo XIX e XX dous sufixos significaron a vontade dos creadores por romper a barreira dimensional na narraci\u00f3n de historias, o -rama <\/em>e o -scope<\/em>. Deles non quedou case nada pero non se poder\u00edan entender moitas das tecnolox\u00edas do audiovisual, da inform\u00e1tica e do cine sen estes primeiros intentos de simulaci\u00f3n tridimensional. <\/p>\n Na Exposici\u00f3n Universal de Par\u00eds do ano 1900 presentouse o Mareorama<\/strong><\/em>: un enxe\u00f1oso dispositivo que simulaba unha viaxe mari\u00f1a de Niza a Constantinopla v\u00eda Venecia sobre un trasatl\u00e1ntico a vapor. A Guide to the Paris Expo <\/a>(1900) explicaba como funcionaba:<\/p>\n “Immense canvases unroll slowly, steadily, and noiselessly before their eyes, and the rise and fall of the boat, together with the shifting scenes, complete the illusion that one is really on board a steamer, cruising in front of some well-known seaport cities of the Mediterranean.”<\/p><\/blockquote>\n
![Guide to the Paris Expo <\/a>(1900) explicaba como funcionaba:<\/p>\n“Immense canvases unroll slowly, steadily, and noiselessly before their eyes, and the rise and fall of the boat, together with the shifting scenes, complete the illusion that one is really on board a steamer, cruising in front of some well-known seaport cities of the Mediterranean.”<\/p><\/blockquote>\nV\u00eda Tinselman<\/a> < Boing Boing\n<\/p>\n","protected":false},"excerpt":{"rendered":"Durante o s\u00e9culo XIX e XX dous sufixos significaron a vontade dos creadores por romper…<\/p>\nLer a historiaO tempo dos -ramas<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,5],"tags":[],"class_list":["post-910","post","type-post","status-publish","format-standard","hentry","category-diario","category-ligazons","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=910"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/910\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/www.acmi.net.au\/AIC\/mareorama_harpers.gif\"){kind=link}