{"id":26840,"date":"2014-11-16T13:02:38","date_gmt":"2014-11-16T11:02:38","guid":{"rendered":"http:\/\/www.manuelgago.org\/blog\/?p=26840"},"modified":"2014-11-16T13:02:38","modified_gmt":"2014-11-16T11:02:38","slug":"la-french-cine-de-accion-con-coordenadas-europeas","status":"publish","type":"post","link":"https:\/\/www.manuelgago.org\/blog\/2014\/11\/16\/la-french-cine-de-accion-con-coordenadas-europeas\/","title":{"rendered":"La French, cine de acci\u00f3n con coordenadas europeas"},"content":{"rendered":"<p>Con incrible pracer vin en Cineuropa La French, un filme de C\u00e9dric Jim\u00e9nez que coloca en escena, e en competencia, a dous soberbios actorazos do cine franc\u00e9s, Jean Dujardin e Gilles Lellouche. A historia, que nos resultar\u00e1 pr\u00f3xima, narra a loita do xuiz Pierre Michel (Jean Dujardin) contra La French Connection, a organizaci\u00f3n mafiosa que se apoderou da econom\u00eda local marsellesa e da costa azul entre os anos 70 e 80 e que baseou o seu poder na exportaci\u00f3n de hero\u00edna aos Estados Unidos. A pel\u00edcula \u00e9 trepidante, tenche atrapado mesmo nunhas cadeiras tan inc\u00f3modas como as do Sal\u00f3n Teatro, e est\u00e1 constru\u00edda concedendo intelixencia ao espectador: as personaxes son poli\u00e9dricas, complexas, te\u00f1en pasado e sentimentos encontrados fronte ao mundo. O final, que non desvelarei, \u00e9 un final cabal para unha pel\u00edcula que trata dunha basura con tanta capacidade de infiltraci\u00f3n social como as bandas do narcotr\u00e1fico. Para min sen d\u00fabida, un dos grandes filmes deste 2014. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Con incrible pracer vin en Cineuropa La French, un filme de C\u00e9dric Jim\u00e9nez que coloca&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.manuelgago.org\/blog\/2014\/11\/16\/la-french-cine-de-accion-con-coordenadas-europeas\/\">Ler a historia<span class=\"screen-reader-text\">La French, cine de acci\u00f3n con coordenadas europeas<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-26840","post","type-post","status-publish","format-standard","hentry","category-audiovisual","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/26840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=26840"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/26840\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=26840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=26840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=26840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}