{"id":25565,"date":"2014-03-31T23:39:21","date_gmt":"2014-03-31T21:39:21","guid":{"rendered":"http:\/\/www.manuelgago.org\/blog\/?p=25565"},"modified":"2014-03-31T23:39:53","modified_gmt":"2014-03-31T21:39:53","slug":"front-row-to-fashion-week-entre-a-infografia-e-os-graficos-interactivos","status":"publish","type":"post","link":"https:\/\/www.manuelgago.org\/blog\/2014\/03\/31\/front-row-to-fashion-week-entre-a-infografia-e-os-graficos-interactivos\/","title":{"rendered":"Front Row to Fashion Week, entre a infograf\u00eda e os gr\u00e1ficos interactivos"},"content":{"rendered":"<p><a href=\"http:\/\/www.nytimes.com\/newsgraphics\/2014\/02\/14\/fashion-week-editors-picks\/\">Front Row to Fashion Week<\/a>, este espl\u00e9ndido traballo do New York Times elaborado por Mike Bostock, Shan Carter, Erik Hinton e Ruth La Ferla, \u00e9 un marabilloso h\u00edbrido que demostra, unha vez m\u00e1is, como as fronteiras creativas non valen de nada. A s\u00faa concepci\u00f3n: agrupar as novas colecci\u00f3ns dos modistos por cor, a trav\u00e9s de estruturas interactivas de acorde\u00f3n, poder\u00eda inducir a pensar na infograf\u00eda visual (aquela que tenta traducir datos complexos en impresi\u00f3ns facilmente visualizables), pero o propio modelo de representaci\u00f3n de todos os desfiles conduce a algo m\u00e1is. Un novo formato de narraci\u00f3n dos desfiles de moda. Interesant\u00edsimo. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Front Row to Fashion Week, este espl\u00e9ndido traballo do New York Times elaborado por Mike&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.manuelgago.org\/blog\/2014\/03\/31\/front-row-to-fashion-week-entre-a-infografia-e-os-graficos-interactivos\/\">Ler a historia<span class=\"screen-reader-text\">Front Row to Fashion Week, entre a infograf\u00eda e os gr\u00e1ficos interactivos<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":25566,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,21],"tags":[],"class_list":["post-25565","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tendencias-en-deseno","category-medios","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/25565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=25565"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/25565\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media\/25566"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=25565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=25565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=25565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}