{"id":24862,"date":"2013-12-16T09:41:41","date_gmt":"2013-12-16T07:41:41","guid":{"rendered":"http:\/\/www.manuelgago.org\/blog\/?p=24862"},"modified":"2013-12-16T12:34:47","modified_gmt":"2013-12-16T10:34:47","slug":"as-gravacions-mais-antigas-do-galego-cantado","status":"publish","type":"post","link":"https:\/\/www.manuelgago.org\/blog\/2013\/12\/16\/as-gravacions-mais-antigas-do-galego-cantado\/","title":{"rendered":"As gravaci\u00f3ns m\u00e1is antigas do galego cantado"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.manuelgago.org\/blog\/wp-content\/uploads\/eladio_chao.jpg\" alt=\"\" \/><br \/>\n<em>Eladio Chao (\u00e1 dereita) na s\u00faa etapa de director art\u00edstico do Teatro Real de Madrid. Foto: ABC<\/em><\/p>\n<p>Hoxe quer\u00eda comezar a semana con algo moi fermoso. Unha das primeiras gravaci\u00f3ns de galego cantado, que se realizou noutra das &#8220;capitais&#8221; do noso pa\u00eds, Nova York, o 2 de xullo de 1906 por un bar\u00edtono de Ribadavia chamado Eladio A. Chao. <\/p>\n<p><object id=\"locplayerfp_70040055\" width=\"522\" height=\"148\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\"><param value=\"true\" name=\"allowfullscreen\"\/><param value=\"always\" name=\"allowscriptaccess\"\/><param value=\"high\" name=\"quality\"\/><param value=\"true\" name=\"cachebusting\"\/><param value=\"#000000\" name=\"bgcolor\"\/><param name=\"movie\" value=\"http:\/\/media.loc.gov\/player\/flowplayer.commercial.swf?0.15602358640171587\" \/><param value=\"config=http:\/\/media.loc.gov\/media\/embed\/id\/A2671ACD363A037CE0438C93F116037C\" name=\"flashvars\"\/><embed src=\"http:\/\/media.loc.gov\/player\/flowplayer.commercial.swf?0.15602358640171587\" type=\"application\/x-shockwave-flash\" width=\"522\" height=\"148\" allowfullscreen=\"true\" allowscriptaccess=\"always\" cachebusting=\"true\" flashvars=\"config=http:\/\/media.loc.gov\/media\/embed\/id\/A2671ACD363A037CE0438C93F116037C\" bgcolor=\"#000000\" quality=\"true\"\/>A fermosa peza ch\u00e1mase <em>Meus Amores<\/em> e \u00e9 unha comparanza saudosa entre o amor \u00e1 Patria e \u00e1 muller querida. E non se perdan, porque a outra gravaci\u00f3n de Chao na Biblioteca do Congreso \u00e9 <a href=\"http:\/\/www.loc.gov\/jukebox\/recordings\/detail\/id\/1150\/autoplay\/true\">un canto hind\u00fa<\/a>!. <\/p>\n<p>A primeira gravaci\u00f3n cantada en galego, con todo, \u00e9 o disco da formaci\u00f3n <em>Aires da Terra<\/em>, a\u00ednda m\u00e1is atr\u00e1s, de 1904, no que o grupo coral pontevedr\u00e9s liderado polo farmac\u00e9utico Perfecto Feij\u00f3o, que coa s\u00faa constituci\u00f3n supuxo un aut\u00e9ntico choque cultural contra o desarraigo das clases altas en relaci\u00f3n \u00e1 cultura de noso. <a href=\"http:\/\/open.spotify.com\/artist\/6sb1xKX1FTDYfeW5jGoZms\">P\u00f3dese escoitar completo no Spotify<\/a> e tam\u00e9n \u00e9 unha xoia. <\/p>\n<p>Grazas a <a href=\"https:\/\/www.facebook.com\/afonso.monxardin\/posts\/755240367823140\">Afonso V. Monxard\u00edn e a Jos\u00e9 Aldea<\/a> por estes apuntamentos audioeruditos!<\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eladio Chao (\u00e1 dereita) na s\u00faa etapa de director art\u00edstico do Teatro Real de Madrid.&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.manuelgago.org\/blog\/2013\/12\/16\/as-gravacions-mais-antigas-do-galego-cantado\/\">Ler a historia<span class=\"screen-reader-text\">As gravaci\u00f3ns m\u00e1is antigas do galego cantado<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":24863,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-24862","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/24862","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=24862"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/24862\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media\/24863"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=24862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=24862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=24862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}