{"id":2411,"date":"2007-03-22T00:39:00","date_gmt":"2007-03-21T22:39:00","guid":{"rendered":"http:\/\/www.manuelgago.org\/blog\/index.php\/2007\/03\/22\/a-liberacion-de-bagdad-unha-mirada-postmoderna\/"},"modified":"2007-03-22T00:39:00","modified_gmt":"2007-03-21T22:39:00","slug":"a-liberacion-de-bagdad-unha-mirada-postmoderna","status":"publish","type":"post","link":"https:\/\/www.manuelgago.org\/blog\/2007\/03\/22\/a-liberacion-de-bagdad-unha-mirada-postmoderna\/","title":{"rendered":"A liberaci\u00f3n de Bagdad, unha mirada postmoderna"},"content":{"rendered":"<p><img decoding=\"async\" id=\"image2410\" src=\"http:\/\/www.manuelgago.org\/blog\/wp-content\/uploads\/liberacion_bagdad.jpg\" alt=\"liberacion_bagdad.jpg\" \/><\/p>\n<p>O <a href=\"http:\/\/www.laweekly.com\/art+books\/art\/the-liberation-of-baghdad\/15888\/\">artista californiano Sandow Birk est\u00e1 a rematar 15 pinturas sobre a Guerra de Irak<\/a>. As pinturas son unha pura iron\u00eda posmoderna, recuperando a presentaci\u00f3n e as iconas da pintura triunfalista da \u00e9poca de Napole\u00f3n ou das imaxes da Rusia comunista para glorificar as escenas de batalla. &#8220;A liberaci\u00f3n de Bagdad&#8221;, di Birk, ten que ver &#8220;co que nos dixeron que pasar\u00eda: felices e alegres iraqu\u00edes ceibes dar\u00edan a benvida \u00e1s tropas americanas  que os liberaron das gadoupas da opresi\u00f3n&#8221;. <\/p>\n<p>Traspolar as t\u00e9cnicas pict\u00f3ricas do poder en s\u00e9culos anteriores ao actual provoca, sobre todo, humor. E, se non, mirade esta <a href=\"http:\/\/www.sandowbirk.com\/010.html\">Rendici\u00f3n de Breda<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>O artista californiano Sandow Birk est\u00e1 a rematar 15 pinturas sobre a Guerra de Irak.&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.manuelgago.org\/blog\/2007\/03\/22\/a-liberacion-de-bagdad-unha-mirada-postmoderna\/\">Ler a historia<span class=\"screen-reader-text\">A liberaci\u00f3n de Bagdad, unha mirada postmoderna<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":28165,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-2411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ligazons","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/2411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=2411"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/2411\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media\/28165"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=2411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=2411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=2411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}