{"id":22619,"date":"2013-01-10T22:32:24","date_gmt":"2013-01-10T20:32:24","guid":{"rendered":"http:\/\/www.manuelgago.org\/blog\/?p=22619"},"modified":"2013-01-10T22:32:24","modified_gmt":"2013-01-10T20:32:24","slug":"o-cinema-detras-da-arte-rupestre","status":"publish","type":"post","link":"https:\/\/www.manuelgago.org\/blog\/2013\/01\/10\/o-cinema-detras-da-arte-rupestre\/","title":{"rendered":"O cinema detr\u00e1s da arte rupestre"},"content":{"rendered":"<p><object id=\"flashObj\" width=\"620\" height=\"420\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\"><param name=\"movie\" value=\"http:\/\/c.brightcove.com\/services\/viewer\/federated_f9?isVid=1\" \/><param name=\"bgcolor\" value=\"#FFFFFF\" \/><param name=\"flashVars\" value=\"videoId=2044987428001&#038;playerID=2227271001&#038;playerKey=AQ~~,AAAAADqBmN8~,Yo4S_rZKGX0rYg6XsV7i3F9IB8jNBoiY&#038;domain=embed&#038;dynamicStreaming=true\" \/><param name=\"base\" value=\"http:\/\/admin.brightcove.com\" \/><param name=\"seamlesstabbing\" value=\"false\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"swLiveConnect\" value=\"true\" \/><param name=\"allowScriptAccess\" value=\"always\" \/><embed src=\"http:\/\/c.brightcove.com\/services\/viewer\/federated_f9?isVid=1\" bgcolor=\"#FFFFFF\" flashVars=\"videoId=2044987428001&#038;playerID=2227271001&#038;playerKey=AQ~~,AAAAADqBmN8~,Yo4S_rZKGX0rYg6XsV7i3F9IB8jNBoiY&#038;domain=embed&#038;dynamicStreaming=true\" base=\"http:\/\/admin.brightcove.com\" name=\"flashObj\" width=\"620\" height=\"420\" seamlesstabbing=\"false\" type=\"application\/x-shockwave-flash\" allowFullScreen=\"true\" swLiveConnect=\"true\" allowScriptAccess=\"always\" pluginspage=\"http:\/\/www.macromedia.com\/shockwave\/download\/index.cgi?P1_Prod_Version=ShockwaveFlash\"><\/embed><\/object><\/p>\n<p>Isto \u00e9 unha aut\u00e9ntica marabilla. Traduzo directamente esta noticia de <em><a href=\"http:\/\/www.newscientist.com\/blogs\/nstv\/2013\/01\/stone-age-cinema-cave-art-conceals-first-animations.html\">New Scientist<\/a><\/em>:<\/p>\n<blockquote><p>Pensas que as primeiras pel\u00edculas foron proxectadas no cine? De acordo a unha an\u00e1lise da arte rupestre, os nosos devanceiros prehist\u00f3ricos inventaron o concepto mentres debuxaban nas paredes. <\/p>\n<p>Neste v\u00eddeo, o investigador e cineasta Marc Az\u00e9ma, da Universidade de Toulouse Le Mirail en Francia revela como varios fotogramas dunha animaci\u00f3n est\u00e1n sobreimpresos en moitas pinturas animais. Un cabalo pintado nas covas de Lascaux en Francia, por exemplo, est\u00e1 feito de moitas versi\u00f3ns do animal representando diferentes posici\u00f3ns de movemento. Neste v\u00eddeo, Azema extrae as imaxes individuais e am\u00f3saas en sucesi\u00f3n, demostrando como elas se reproducen como se fosen un debuxo animado (&#8230;)<\/p><\/blockquote>\n<p>Estes fen\u00f3menos son moi curiosos. A min enc\u00e1ntame o tema dos &#8216;estilos locais&#8217; na arte rupestre galega. Est\u00e1n bastante investigados: como os trazos, os motivos ou os xeitos de representalos cambian en funci\u00f3n da comarca de Galicia. No Barbanza temos un estilo moi peculiar de representar as gravuras dos c\u00e9rvidos: no canto de teren catro patas, te\u00f1en seis. Esta inc\u00f3gnita, que xa intrigou a Bouza Brey e a Cuevillas no seu momento, se cadra te\u00f1a que ver con esta sensaci\u00f3n de &#8220;animaci\u00f3n&#8221;, un xeito curioso, un tanto estra\u00f1o, de transmitir o movemento sobre algo tan est\u00e1tico como unha pedra. Un bo exemplo \u00e9 a Pedra das Cabras, en Palmeira: <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.manuelgago.org\/blog\/wp-content\/uploads\/pedra_cabras.jpg\" alt=\"\" \/><\/p>\n<p>Este fen\u00f3meno das seis patas rep\u00edtese noutros mam\u00edferos representados na pl\u00e1stica rupestre galega. A ver se algu\u00e9n se anima e pon a correr os nosos cervos e cabalos rupestres!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Isto \u00e9 unha aut\u00e9ntica marabilla. Traduzo directamente esta noticia de New Scientist: Pensas que as&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.manuelgago.org\/blog\/2013\/01\/10\/o-cinema-detras-da-arte-rupestre\/\">Ler a historia<span class=\"screen-reader-text\">O cinema detr\u00e1s da arte rupestre<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":22620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,18],"tags":[],"class_list":["post-22619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divulgacion-cientifica","category-notas-arqueoloxicas","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/22619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=22619"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/22619\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media\/22620"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=22619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=22619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=22619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}