{"id":20397,"date":"2012-04-07T19:26:54","date_gmt":"2012-04-07T17:26:54","guid":{"rendered":"http:\/\/www.manuelgago.org\/blog\/?p=20397"},"modified":"2012-04-07T19:26:54","modified_gmt":"2012-04-07T17:26:54","slug":"the-curators-code","status":"publish","type":"post","link":"https:\/\/www.manuelgago.org\/blog\/2012\/04\/07\/the-curators-code\/","title":{"rendered":"The Curator&#8217;s Code"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.manuelgago.org\/blog\/wp-content\/uploads\/curator.jpg\" alt=\"\" \/><\/p>\n<p><em><a href=\"http:\/\/curatorscode.org\/\">The Curator&#8217;s Code<\/a><\/em> \u00e9 unha idea tan sinxela como \u00fatil: estandarizar os procesos de citaci\u00f3n dentro de Internet; non \u00e9 tanto a citaci\u00f3n bibliogr\u00e1fica sen\u00f3n a conceptual, a procedencia ou a orixe dunha idea. Tr\u00e1tase de asumir e estandarizar que a maior parte dos procesos creativos son consecuencia da influencia doutras persoas e fontes, e sistematizar ese proceso. Os creadores do Curator&#8217;s Code distinguen dous tipos de citaci\u00f3ns, a directa (o cl\u00e1sico <em>via<\/em>) ou o <em>hat tip<\/em>, \u00e9 dicir, unha citaci\u00f3n da fonte orixinal mencionando a fonte intermedia (por exemplo, en El Pa\u00eds via @quensexa). <\/p>\n<p>Para estandarizar o proceso, os creadores propo\u00f1en a existencia de dous s\u00edmbolos: <a href=\"http:\/\/www.curatorscode.org\" target=\"_blank\" style=\"font-family:sans-serif;text-decoration:none;\" >&#x1525;<\/a> e <a href=\"http:\/\/www.curatorscode.org\" target=\"_blank\" style=\"font-family:sans-serif;text-decoration:none;\" >&#x21ac;<\/a>, para cada unha das funci\u00f3ns respectivas. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Curator&#8217;s Code \u00e9 unha idea tan sinxela como \u00fatil: estandarizar os procesos de citaci\u00f3n&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.manuelgago.org\/blog\/2012\/04\/07\/the-curators-code\/\">Ler a historia<span class=\"screen-reader-text\">The Curator&#8217;s Code<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":20398,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-20397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tendencias-en-deseno","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/20397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=20397"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/20397\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media\/20398"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=20397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=20397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=20397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}