{"id":19564,"date":"2011-12-30T19:43:34","date_gmt":"2011-12-30T17:43:34","guid":{"rendered":"http:\/\/www.manuelgago.org\/blog\/?p=19564"},"modified":"2011-12-30T19:43:34","modified_gmt":"2011-12-30T17:43:34","slug":"o-home-do-paraugas","status":"publish","type":"post","link":"https:\/\/www.manuelgago.org\/blog\/2011\/12\/30\/o-home-do-paraugas\/","title":{"rendered":"O home do paraugas"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.manuelgago.org\/blog\/wp-content\/uploads\/home_paraugas.jpg\" alt=\"\" \/><\/p>\n<p>Esta historia \u00e9 magn\u00edfica. O d\u00eda do asasinato de Kennedy, analizando as filmaci\u00f3ns do momento, unha estra\u00f1a figura aparec\u00eda na beirarr\u00faa, xusto ao car\u00f3n do punto no que Kennedy recibe o impacto da fatal bala. Tr\u00e1tase dun home pulcramente vestido, cun paraugas negro. Esta figura a\u00ednda \u00e9 m\u00e1is misteriosa porque o d\u00eda estaba fermoso, soleado; era outono pero a xente vai como de primavera. A presenza do home do paraugas deu lugar a todo tipo de conspiranoias fant\u00e1sticas, como era de agardar. Pero Errol Morris, nunha longa entrevista con Tink Thompson, un home que consagrou a s\u00faa vida \u00e1 investigaci\u00f3n do asasinato de Kennedy, desvelou quen era ese home do paraugas. E a realidade, como sempre, supera a ficci\u00f3n. <a href=\"http:\/\/video.nytimes.com\/video\/2011\/11\/21\/opinion\/100000001183275\/the-umbrella-man.html\">Aqu\u00ed podes ver o v\u00eddeo<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Esta historia \u00e9 magn\u00edfica. O d\u00eda do asasinato de Kennedy, analizando as filmaci\u00f3ns do momento,&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.manuelgago.org\/blog\/2011\/12\/30\/o-home-do-paraugas\/\">Ler a historia<span class=\"screen-reader-text\">O home do paraugas<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":19565,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-19564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-imaxe","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/19564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/comments?post=19564"}],"version-history":[{"count":0,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/posts\/19564\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media\/19565"}],"wp:attachment":[{"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/media?parent=19564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/categories?post=19564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.manuelgago.org\/blog\/wp-json\/wp\/v2\/tags?post=19564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}